At length, I discuss such topics as:
Smooth Airflow – this should be the single most important objective of any. And I have written six pages on this topic alone!

Toxicity of Woods – what potential problems can arise for yourself the flute makers, and just as importantly for those folks who might end up playing one of your native flutes. This article can help you with that.

Buying Woods – learn to use the correct language and speaking to someone knowledgeable at the wood stores.

Flue in the NEST versus Flue in the Fetish-block – one of these methods can cause more air turbulence than the other, which method is it?

Concert tuning each finger hole on your Native Flute – this is the easiest proof method used. So simple! (aka as the ‘grandfather’ method.)

Wet Sanding Process – a step-by-step process.

Breathiness in the sound of a Native Flute – what is it?…. what causes it…. ?…. and how to correct it.

Note Jumping, also known as Over-blowing – the most often question that I am asked is,”How do I control this?” There are 13 areas that I cover that you can try to help you with this problem.

And dozens of more topics.

The “Native American Style Flute Shop Booklet” has over 100 photos and detailed information on these techniques:

Wind blocker – with this inexpensive, simple to make wind blocker it makes it much easier to play your Native Flute outside in the wind.

Cutting leather laces – by using leather clothing purchase cheaply at a thrift store and make your own leather laces for your native.

Attaching fetish blocks – using magnets instead of leather laces…. using rare earth magnets.

Flue Sanders – properly sanding the floor is usually a painstaking task, but with these homemade tools it becomes relatively easy.

Slow Air Chamber (SAC) Exit-hole jig – learn how to make and use this jig that will allow you to make your Slow Air Chamber Exit-hole Jig which will consistently get your Slow Air Chamber Exit-hole drilled at the correct angle and correct location.